Books
--nonfiction
Contact Improvisation: an introduction to a
vitalizing dance form
--fiction
The Phrase
--poetry
Into Stillness
Uncommon Grammar Cloth
Spontaneities
Nonfiction online
Diane Ackerman
Pilobolus
Diamanda Galas
Poetry online
“Conterminous, Gridded, Deaggregated, and
Uncertain”
Tarpaulin Sky
several poems
No Tell Motel
selections from Into Stillness
HOW2
“Yonder Zongs,” “Freaking Fricatives,” and
“Entry Steps”
Moria
“7" from Uncommon Grammar Cloth
DC Poetry Anthology
selections from Uncommon Grammar Cloth
Alterran Poetry Assemblage
"Morphs"
“grammatical poise”
proximity
"Blue Poets in Red State" serial poem
Big Bridge
Fiction online
“A Touchy Situation”
Café Irreal
“When the Curtain Falls”
Café Irreal
Selected print publications
--poetry recently in
Women’s Studies Quarterly; Fence; No Tell
Motel 2; Cue: A Journal of Prose Poetry;
Homonumous: Magazine D'Avant Garde;
Sleeping Fish; Scout; Lyric; Coe Review;
Wormwood Review, & elsewhere
--fiction recently in
Confrontation; Oxford Magazine; Pleasant Living;
The Crescent Review; Convolvulus; Minds in
Motion; Ambit; The New Rain, & elsewhere
--prose recently in
Teachers & Writers, AWP Pedagogy Papers
2007; Contact Quarterly; Natural Awakenings;
ECITE 2000; Style Weekly; Journal of Process-
Oriented Psychology; ArtsInk; High
Performance, & elsewhere
--anthologized in
Introduction to Prose Poetry, Firewheel Editions;
Letters to the World: Red Hen Anthology, Red
Hen Press; Food for Thought, Ecco Press; &
Food for Thought, William Morrow & Co.
--nonfiction
Contact Improvisation: an introduction to a
vitalizing dance form
--fiction
The Phrase
--poetry
Into Stillness
Uncommon Grammar Cloth
Spontaneities
Nonfiction online
Diane Ackerman
Pilobolus
Diamanda Galas
Poetry online
“Conterminous, Gridded, Deaggregated, and
Uncertain”
Tarpaulin Sky
several poems
No Tell Motel
selections from Into Stillness
HOW2
“Yonder Zongs,” “Freaking Fricatives,” and
“Entry Steps”
Moria
“7" from Uncommon Grammar Cloth
DC Poetry Anthology
selections from Uncommon Grammar Cloth
Alterran Poetry Assemblage
"Morphs"
“grammatical poise”
proximity
"Blue Poets in Red State" serial poem
Big Bridge
Fiction online
“A Touchy Situation”
Café Irreal
“When the Curtain Falls”
Café Irreal
Selected print publications
--poetry recently in
Women’s Studies Quarterly; Fence; No Tell
Motel 2; Cue: A Journal of Prose Poetry;
Homonumous: Magazine D'Avant Garde;
Sleeping Fish; Scout; Lyric; Coe Review;
Wormwood Review, & elsewhere
--fiction recently in
Confrontation; Oxford Magazine; Pleasant Living;
The Crescent Review; Convolvulus; Minds in
Motion; Ambit; The New Rain, & elsewhere
--prose recently in
Teachers & Writers, AWP Pedagogy Papers
2007; Contact Quarterly; Natural Awakenings;
ECITE 2000; Style Weekly; Journal of Process-
Oriented Psychology; ArtsInk; High
Performance, & elsewhere
--anthologized in
Introduction to Prose Poetry, Firewheel Editions;
Letters to the World: Red Hen Anthology, Red
Hen Press; Food for Thought, Ecco Press; &
Food for Thought, William Morrow & Co.
 |  |  |  |  |  |
We usually evaluate creative
process in terms of how much
feeling or thinking was behind the
work or how well the work was
done. Is there any other way of
appreciating the process? What if
the standard of excellence was
how fully present the artist was
during the process?
--Kazuaki Tanahashi
Syntax is a faculty of the soul.
--Paul Valery
To dance is to live.
--Isadora Duncan
process in terms of how much
feeling or thinking was behind the
work or how well the work was
done. Is there any other way of
appreciating the process? What if
the standard of excellence was
how fully present the artist was
during the process?
--Kazuaki Tanahashi
Syntax is a faculty of the soul.
--Paul Valery
To dance is to live.
--Isadora Duncan